Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Monday, 19 December 2016

Jules et Jim (1962) - François Truffaut



I know people say Les quatre cents coups [The 400 blows] (1959) is one of his best works but seriously, personally, I prefer Jules et Jim. Les quatre cents coups is a personal journey of what Truffaut went through as a kid, for which I admire. However, on the other hand Jules et Jim is more of an eternal story which no matter the time and cultural differences somewhat you could find something to relate to.

I am not talking being “friend zoned”, in my case, Catherine (Jeanne Moreau), it’s not a cliché that I relate myself as the female protagonist. I have valid reasons of my own. The fact she is candid, reckless and a little egoistic seem like a perfect description of me. I could totally see myself standing on the thin line, juggling my life as it comes. I guess I like playing with fire. Hope I won’t end up being burnt.

Jules et Jim is considerably really forward for it’s time, even today 3-way relationships are still being looked down on. Just because love is blind and it has stood before time way before our existences, it is still as represented as a taboo. I am pro-love, which means, just let people do whatever they want.

Wednesday, 30 November 2016

Sausage Party (2016) - Greg Tiernan, Conrad Vernon



Sausage Party is really a surprise, I thought It would be straight up stupid jokes but instead it is deeper than expected. And the food porn scene will forever be in my head, I think it is a way to say “Fu*k you” to all those dirty minds out there. I simply don’t know how to react to it. It’s brilliant and explicit, it’s so wrong but it feel so right at the same time. 

How interesting they are trying to deny the existence of GOD. All we need is to believe in yourselves no matter how isolated and despair you feel. As long as you are determined you will succeed even if God is in the way.

Saturday, 26 November 2016

Elephant (2003) - Gus Van Sant



What makes Elephant stood out from it’s genre is it’s subtleness, just a normal school day, everything is completely as usual and who knows what would happen next. The editing makes the audience on edge since we all know the premise. The movie keeps going back to the same moment before it happens. The suspense is unbearable. 

Sant didn’t put any emphasis on the event itself nor any political statement which I found really interesting because he leaves it to the audience to decide and judge what’s good in believing we are born innocent which is the total opposite of the movie.

For some reason this movie makes me think of the Orlando Shooting. Violence doesn’t need any justification, we put a label on it doesn’t make it any less bearable or acceptable.

Thursday, 24 November 2016

Swiss Army Man (2016) - Dan Kwan, Daniel Scheinert



This movie is not for the faint-hearted. This is the genre I personally love the must. Sometime we don’t need to explain ourselves and calculate every single second of the movie. Just let it goes out of hand and see what happens. There are so many shocking moments which make you pounder the credibility of the movie but yet you just smile your way through. 

There are a lot of similarities between almost all of Quentin Dupieux’s films (for example: Rubber 2010)) and Swiss Army Man. In terms of running wild and out of control, somehow the comedic storylines magically merge with each other and become something unexpectedly intelligent and raw at the same time. Dupieux gives us the epic monologue at the beginning however the latter integrates a shocking surprise at the end. Both ways work wonderfully. We might not be used to these eerie ideas and craziness nevertheless, they are way too captivating to ignore. It’s hard to react to these kind of over-exaggerated visions. When they are nicely made, they could be one fine piece of work itself and would be forever immortalised. (There are more and more of these kind of movies in the market, I wonder is there a proper term to describe it or even a study on it.)



Paul Dano and Daniel Radcliffe deliver a fantastic performance. Ever since Harry Potter Radcliffe tried very hard to break out of his Potter image and he has proven himself a serval times already. Paul Dano, no explanation needed. He has been amazing ever since I knew him from Little Miss Sunshine (2005). 

Not to mention the social issue which is the foundation of the movie. It couldn’t happen then or later, it’s relevant. The isolation deduces from social media that causes the lost of touch between people is getting serious. We never talk about it but it doesn’t mean it doesn’t exist. 

Swiss Army Man might be one of the weirdest movies of 2016, it might not be a big fan favour now, trust me, in maybe few years it will definitely be on the lists of must-watch cult movies of all time.

Sunday, 20 November 2016

My own private Idaho (1991) - Gus Van Sant



Beautifully shot and written.

The scene in the wood with Scott and Mike, it brings back so much memories, not that I have built a fire in the woods before, is the fact that admitting your love to somebody and that someone loves you too but just not the same way. I felt like it happened to me a lot of times!


Saturday, 19 November 2016

julieta (2016) - Pedro Almodóvar



Almodóvar said in an interview that every single colour used in the film meant something, from the wardrobe to the wallpaper. (a lot of directors do pay a lot of attention to colours but not all of cause like Gus Van Sant [not as much]) And julieta is different from his other films since the presence of female dialogues are less prominent even through the film is guided by the narrative point of Julieta.

Friday, 16 January 2015

The Smell of Us - Larry Clark


The Smell of us originally was supposed to be a movie about Larry Clark, it turns out to be something different. He projects himself in 4 different characters, different qualities and characteristics of himself, he was once a teenager and he still craves for being one even in his 70s.

All the scandals revolving The Smell of Us are absolutely hideous, reading the 40 page coverage from Cahier du Cinema (one of France most prestigious movie magazine, with a review plus interviews with Larry Clark and his team, the screenwriter, cinema photographer, producer and few of the actors.), made me realise something, I know I am being really calculating but it might be true, most of the crew including the cast think that this might be his last movie, and the production team really wants to make a film about Clark. So how could they get what they really want? Allowing him to make his latest project in Paris and secretly accumulating footages and stories about Clark and 10 years later or when he is dead, the story of Larry Clark comes out in the cinema. This is my conclusion after reading all the interviews and watching the movie.

I read the review before watching the film. I have to say it was really positive, in general it is rated 4/4. Claiming it one of his best works to date and what it is addressing is controversial but yet relatable. For me reading a review is already too much, I am the kind of movie-goers who wants to know absolutely nothing prior watching. Since I have already seen two of his movies, Kids and Ken Park which I find pleasure watching, however, The Smell of Us is utterly a disaster, a disappointment and not his finest work.

I totally get what is he trying to show in The small of us, but I strongly disagree with the method he used (I watched a few of his films, I'm aware of what I am getting myself into). Still the way he sees the teenagers is beautiful, how he approaches and puts on the big screen is magnificent but the story itself lacks a certain synchronicity. Yes it is still about youth, there isn't much explication about why they become rent boys, the relations between the characters. In the interview with the screenwriter Scribe, the reporter specifically asked what were the differences between the film and the script. It is known that Clark cut a few scenes which explain or show the development of the characters. Larry Clark forbade him to be on set, and Scribe was called on set by the producers to talk to the actors since they refused to continue filming after knowing Clark himself would be playing the feet fetish. (As per the interview with one of the casts, this has happened before during Bully, cast leaving in mid filming process) First Scribe was the one who casted the actors which my theory is the actors were not happy with the changes in the script and basically had no direction from Clark, on top of things they didn't sign up to do. So what did Clark do, he simply cut the scenes and altered the story and among the details which he didn't think is important.

In the interview with Larry Clark, he kept talking about the Director Cut of The Smell of Us, the version in the cinema now is the short version. Some of the scenes he mentioned in the interview do not exist in the short version. The more I read the interview the more annoyed I get. I wonder what have I watched, if the version in the cinema has an obvious difference with the director cut then why even bother releasing it. It feels like they are talking about a different movie in the interviews and it is reported that Clark was filming with his cellphone during most of the film, the cinema photographer offered him a cinema but he refused it. It feels like he was making something else, his own little project. 


The contrast between the youth and the old suppose to be a big aspect in the film, yes he tries to tackle it which is not clearly done. His obsession with the youth is what he is known for. I have no problem with his obsession, is how he presented on the big screen that bothers me. According to the the script writer the story was supposed to be richer and more personal, but since Clark didn't like the idea of it, he changed it. I found the scene where he portraits a feet fetish old man really disturbing, he kept saying "mon petit graçon" (my little boy, according to one of the interviews he wanted to say my beautiful boy) while indulging the dirty toes of a rent boy. What is the purpose of this? His weird obsession? Some scenes do not even serve any purpose, it's just for the fun of it, like the very last scene. (Clark admitted it in the interview.)

There is a phantom during the entire movie. You could see some cellphone footages in the movie. sometime you could see an actor filming with his cellphone. Scenes which there are not suppose to be a third person, maybe with some explanation it might work. The contrast between a professional camera and a cellphone is distinct, it made some of the scenes awkward and not too coherent. Clark explained later it was like him filming the kids in all time.


The film has no relation with Paris, it didn't have to be filmed in Paris, it could be anywhere. For me it is important that if you are an american director who always tackles teenage problem in your own country. Is normal the audience expect a bit more when you chose to film in a foreign country. Apart from the film is in french there is nothing foreign about it. It is confusing since it seems like a movie about teens in Paris, which one of the casts mentioned it didn't truly response to the teens nowadays in Paris.

The whole movie is a huge misunderstanding and miscommunication which could possibly turn into something interesting in the future (only if my theory is accurate). As for now, The Smell of Us is just a disappointment.

*references from Cahier du Cinéma N°707 Janvier 2015

Thursday, 15 January 2015

Ken Park - Larry Clark and Ed Lachman


I'm still in the marathon exploring mode (maybe not 100%, but close enough), once again Larry Clark shows me something on the big screen that I found authentic and genuine. It's like he puts these trouble kids in a time capsule, when you open it, the rebelliousness of the teenagers has a really strong presence.

I don't know where I've heard of this, it says: no matter how different their movies are, directors are always trying to say the same thing, more or less the same theory, the same values in their works.

This time round, we see something different, a hint of family influence. It shows how the relationship between parents and their children affects each other. I am not saying if you come from a dysfunctional family you will automatically become into kinky sex. No, kinky is not the word, we all do aware sex dominates a big portion of our mind, especially teenagers. For some people sex is a HUGE part of their lives. And exploring their sexuality is a stage we couldn't avoid, we experiment stuff, we do stuff we might not be too proud of. We all have been in this grey zone. (even if you don't want to admit it, somehow you have been there.) Of course Ken Park might be a little extreme, one way or another it is a phrase people go through. When you are a teenager everything seems like the end of the world, it's you against the world and Ken Park reveals how we feel (had felt) when we are a teenager and how we handle those feelings. Something not everyone is capable to handle.

Simulated sex scenes don't really bother me that much, (of course unless they are pointless and too repetitive.) Nowadays, they could be shown in the cinema easier. I don't feel like they are redundant. It helps telling a story.

The Smell of Us is going to be in the cinema like in few days, I'm so excited.